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Finding Sacred Spaces in Unexpected Places

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BY HARV BISHOP

The Abbey Road Studios that my wife Diane and I visited last week are as much a place of pilgrimage as Fatima or Assisi where we visited last spring. Abbey Road is the recording studio in suburban London where the Fab Four recorded one trailblazing album after another from 1963-1969.

Yes, I’m putting this site on an equal footing with a 20th century Marian apparition in Portugal and a 13th Italian saint who lived a contemplative life in beautiful Assisi. St. Francis ecstatically worshipped Jesus and John Lennon said his band was more popular than Jesus, in a much misunderstood and misrepresented remark.

Why would I make this comparison between these very different sacred sites?

Fatima, Assisi, Abbey Road, and Strawberry Fields in New York’s Central Park, a memorial to John Lennon, are all places where collective human consciousness can be felt. People’s full range of emotions– hopes, dreams, sorrows– and lives are on display and intertwined with deified others who represent humanity’s better angels. Those hopes, fears, sorrows and angels are given voice through graffiti at Abbey Road and candles and prayers at Fatima and Assisi.

Crossing the Abbey Road zebra crossing near the studio. I found it was more than just a tourism experience.

I realized that Abbey Road Studios, and the famed zebra crosswalk from the Abbey Road album cover, as well as Strawberry Fields, are secular shrines serving many of the purposes of overtly religious shrines.  I would also say Abbey Road and Strawberry Fields are more than secular. The Beatles individually  and collectively produced great music, yes, but also represented something much more.

They evangelized the values of love and peace and helped to mainstream alternative and eastern spirituality. I meditated for the first time as a 13-year-old on my parent’s Naugahyde couch after reading a magazine piece about the Beatles at the Maharishi’s ashram. Naugahyde was a hideous faux plastic leather that made you sweat and was uncomfortable. Still I mediated. Then I put on my headphones and listened to “Tomorrow Never Knows,” a song on The Beatles’ Revolver album inspired by eastern chants and spirituality. I bought a Ravi Shankar sitar album and started to explore another culture for the first time in my life. I was the first to show up in a Nehru collar shirt in my suburban Colorado junior high. The ridicule from my classmates didn’t matter. My mind and consciousness was bigger than it had been. Others, older, including many well-known spiritual  teachers today, journeyed to India inspired by the doors opened by the Beatles.

Abbey Road is a place of pilgrimage.

As we travel in London I’m experiencing serious 60s flashbacks. Muswell Hill, the small town where we are staying in North London, is the birthplace of The Kinks founders Ray and Dave Davies. The brilliant comedic actor Peter Sellers spent much of his childhood in a home near our tube station. In some parts of London you trip over rock history in every block: the offices over the pub where The Rolling Stones organized, the gallery where John met Yoko and the bar where Paul met Linda, are a five minute walk apart.

And where there is British rock there also are the seeds of my lifelong exploration of alternative spirituality and New Thought.

London and the spirit of that time are forcing me to reflect. Where would I be without it?

Having reconnected with my high school girlfriend on Facebook I learned that her father would say throughout his life, “Thank God you didn’t marry that hairy hippie Harvey!”

Despite the retrospective discovery of the derisive alliteration, I had  liked Mr. Blanks, a conservative Texan, and, of course, I liked his daughter.  That he even let me near his daughter  spoke volumes about his character. I had to be his worst nightmare suitor. I sported long-locks, wire granny glasses, faded jeans, a denim shirt with patches supporting social causes, and John Lennon-style American flag tennis shoes.

My favorite John Lennon look that I faithfully copied in high school.
In the late 1960s and early 1970s of my adolescence and teen years I had a reputation because everybody knew what hippies were about: sex, drugs, rock and roll and revolution. And dressing weird.
A year after high school graduation I ran into a former classmate. “I bet you were getting laid a lot,” he said fishing for details. “Everybody knew you were getting some.” What could I say? I had no details. Normal “making out,” yes, but I was probably one of the few virgins in my high school graduating class. I quickly changed the subject, which had the unintended effect of letting the image of the libidinous hippie stand. So scratch sex from the holy trinity of sex, drugs and rock roll for this “hairy hippie.”
Drugs?
In my junior year of high school I was called into the cool young counselor’s office. He point-blank, but in a sympathetic way, ask me how long I had been on drugs. I was shocked into silence.
Unlike Bill Clinton who famously said he smoked pot but didn’t inhale, I didn’t smoke pot and didn’t inhale. But the affable counselor, nicknamed, “Tricky Tommy” Towner, had bigger concerns than pot.
I had been reported for zoning out in a non-college bound English class where students were talked to like idiots. How to write a resume for minimum wage jobs wasn’t making me passionate about learning. I was in the class because my grades were awful. But I wanted to be an artist. I didn’t want to play phony games to please “the man” for good grades. I wore my black armband for the moratorium days to protest the Vietnam War.
So having my eyes rolled into the back of my head was easy to explain as not drug-related. My drug-inspired necklace was harder to explain.
A few weeks before I had seen the rock god guitarist Eric Clapton wearing a small spoon on a necklace on the cover of Rolling Stone. I said to my mom, who blessedly supported my love for rock star-inspired dress, “Look, spoon necklaces are in.” She sweetly said, “I think I still have your baby spoon.” So she fashioned a necklace from the baby spoon and a stainless steel chain.
I proudly marched off to high school thinking I had the latest in rock star fashion, a quirky pop-art, conceptual art necklace only to have it all come crashing down in the counselor’s office.
In my naïveté I did not know that in that drug-fueled era small spoons were used for snorting coke. So strike drugs from the holy trinity of sex, drugs and Rock and Roll for this “hairy hippie.”
Brian Jones, of The Rolling Stones, one of the best known of the psychedelic peacock rockers. The look fused retro Edwardian with themes and colors from India, and the Middle East.
What I did have was a love for Rock and Roll and the way the rock gods dressed and the new approaches that they symbolized. I enthusiastically embraced The Beatles, the Stones, The Who, Led Zeppelin, Jefferson Airplane, Steppenwolf and too many other groups to mention. But I also loved Burt Bacharach, Andy Williams, and Henry Mancini. I was a sucker for mainstream pop as well. Yes, the hairy hippie had Andy Williams records.
As a high school sophomore I saw The Who tear the roof off Denver’s Mammoth Gardens, a former 1940s skating rink, equivalent  to the Fillmore in San Francisco. It was a few months after their Woodstock gig. At the time I had thick, black horn-rimmed glasses and looked more like Austin Powers than John Lennon. I made it to the foot of stage to see up close and personal the magic of  Pete Townsend’s signature windmill guitar move and Keith Moon attacking the drums. It was unforgettable.
There was a guy near me with shoulder length hair who kept moving his hands Tai Chi style in front of his eyes. A new dance move, I thought to myself. So I slowly moved my hands in front of my eyes. I remember Pete Townsend looking down at geeky me with a WTF expression.
It wasn’t a dance move. It was a practice for LSD trips called “tracing.” People on LSD became entranced with their hands moving as if in a stop motion camera effect and no doubt with plenty of swirling colors added. Maybe they saw the entire universe in their hands. I just saw my everyday fingers and looked awkward.
A recent Halloween party: Recreating the psychedelic peacock look popular with rockers in 1967-1968.
In addition to the love for rock, when it came to weird, non-conformist dress I looked every bit the “hairy hippie.” I saw pictures of The Beatles in a magazine. Ringo had a yellow ruffled shirt that looked like something the Three Musketeers would have worn. I had to find one. And I did. Yellow, with detachable ruffles on the sleeves and running down the front. Did I take into a account that this was still a relatively conservative Colorado community? No. I wasn’t going to be a phony.
During the Denver stock show cowboys would hunt hippies and hold them down and shear their long hair. This was long before Willie Nelson and Alabama made hippieesque dress and hair safe for country.
We had a guy in high school who had longer hair than mine. He was also a karate black belt. During  the stock show he would lure cowboys into harassing him and then clean their clocks.
I had no martial arts skills, but I set out for school with the shirt, every ruffle attached. No, I wan’t going to introduce it a ruffle at a time. This was the Full Monty. I added another small necklace, and velour bell bottoms with a sash tied for a belt. Once again, I felt I was in my full rock star counter-cultural glory.
But I was in Morrison, Colorado, not London. A guy who dressed as cowboy as I dressed hippie had threatened me, but a jock who was a friend had told the cowboy if he hurt me he would have  to answer to him. Nonetheless I was on guard.
What happened next stunned me. A favorite male teacher patted my butt and winked. I was so shocked that I couldn’t process it.  It was massively inappropriate. I tried to erase the memory and acted as if nothing happened. I didn’t deal with my ruptured trust until many years later in a support group. After that day I put away the ruffles for good and stuck to long hair and John Lennon denim.
My dress that day evoked another stereotype, that of effeminate or “gay.” Rock stars, straight or gay or fluid, have traditionally had the freedom to dress flamboyantly without the flamboyant dress being a signifier of sexual identity in and of itself. In that time Denver was not an international city and I didn’t have that freedom.
While I missed the sex and drugs, the ethos of those times– the message of love and peace, the questioning of conformity, the civil rights and anti-war movements– left deep and lasting and positive imprints. Of course, it wasn’t utopia. I was mostly too young for the 60s excesses. But it also was not about stereotypes.
The Beatles promoting their contribution to the BBC’s One World global telecast in 1967 that reached 26 countries and 350 million people.
At its best moments, the times were about the embrace of humanity’s highest capacities, of creating a better world, of being free to explore alternative spirituality. That’s what  captured my soul. The music provided the energy and the non-conformist dress was a political act and way of expressing those values and expanding consciousness.
When I look back at this time I can clearly see the seeds of my lifelong exploration of social justice, alternative spirituality, New Thought, and other cultures and religions. And it helped give me the greatest  gift of all. My hippie fashion spirit these days is mostly confined to Buddhist and Hindu wrist malas and bracelets. When we were first dating my wife Diane said that the malas gave me the suggestion of a hippie vibe and this was one of the things that initially drew her interest. Count me a grateful one time “hairy hippie.”

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2 Comments

  1. Harv…so enjoyed this read. I smiled a lot as you shared your navigation during this time especially your courage and vulnerability about coming of age. Yes, surfing thru your story brought back memories of this time for me as we were navigating this revolution along with many of our generation.
    This time’s impact still is with me/us…our generation when a shift in consciousness started to take hold.

    With gratitude for your gifts and kind heart!

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